text.skipToContent text.skipToNavigation
background-image

Lieberman's Thief von Kaminsky, Stuart M. (eBook)

  • Erscheinungsdatum: 31.03.2015
  • Verlag: Bastei Lübbe AG
eBook (ePUB)
4,99 €
inkl. gesetzl. MwSt.
Sofort per Download lieferbar

Online verfügbar

Lieberman's Thief

A thief puts his life in danger when he becomes an unwitting witness to a murder scene. Harvey Rozier has planned the murder carefully. Unseen, he slips out of the concert hall and sneaks home, knowing that if all goes perfectly he will have an hour to stab his wife to death. But things don't go smoothly, and he is pursuing the bleeding woman through the kitchen when he trips over a toolbox, and finds himself face-to-face with a shocked cat burglar. George 'Pitty-Pitty' Patniks had planned his crime even more thoroughly than Rozier, but was not counting on stumbling into a homicide. He escapes before Rozier can stop him - a witness to a hideous crime that he cannot report to the police. Long-suffering Chicago homicide detective Abe Lieberman suspects Rozier instantly, but cannot find enough proof to arrest him. To bring this killer to justice, he will have to find the thief who saw it all - before Pitty-Pitty Patniks's mouth gets shut forever. About the Author. Stuart M. Kaminsky (1934-2009) was one of the most prolific crime fiction authors of the last four decades. Born in Chicago, he spent his youth immersed in pulp fiction and classic cinema - two forms of popular entertainment which he would make his life's work. After college and a stint in the army, Kaminsky wrote film criticism and biographies of the great actors and directors of Hollywood's Golden Age. In 1977, when a planned biography of Charlton Heston fell through, Kaminsky wrote Bullet for a Star, his first Toby Peters novel, beginning a fiction career that would last the rest of his life. Kaminsky penned twenty-four novels starring the detective, whom he described as 'the anti-Philip Marlowe.' In 1981's Death of a Dissident, Kaminsky debuted Moscow police detective Porfiry Rostnikov, whose stories were praised for their accurate depiction of Soviet life. His other two series starred Abe Lieberman, a hardened Chicago cop, and Lew Fonseca, a process server. In all, Kaminsky wrote more than sixty novels. He died in St. Louis in 2009. Review quote. 'Beautifully rendered. . . . Kaminsky is extraordinarily attuned to the domestic minutiae of his detectives' lives.' - Chicago Tribune. 'Kaminksy's books just keep getting better. . . . An outstanding story.' - Booklist. 'A standout performance. . . . Nobody writing today can mix taut suspense with a sense of creeping mortality as shatteringly as Kaminsky.' - Kirkus Reviews. 'For anyone with a taste for old Hollywood B-movie mysteries, Edgar winner Kaminsky offers plenty of nostalgic fun . . . The tone is light, the pace brisk, the tongue firmly in cheek.' - Publishers Weekly. 'Marvelously entertaining.' - Newsday. 'Makes the totally wacky possible . . . Peters [is] an unblemished delight.' - Washington Post. 'The Ed McBain of Mother Russia.' - Kirkus Reviews.

Produktinformationen

    Format: ePUB
    Kopierschutz: watermark
    Seitenzahl: 198
    Erscheinungsdatum: 31.03.2015
    Sprache: Englisch
    ISBN: 9783958594791
    Verlag: Bastei Lübbe AG
    Serie: Lieberman
    Größe: 1294 kBytes
Weiterlesen weniger lesen

Lieberman's Thief

The Burglar Prowls

GEORGE PATNIKS HATED HIS nickname, "Pitty-Pitty." There was no dignity in a name like Pitty-Pitty Patniks, but then Alex Sewell, the boss of cell block C, hadn't been concerned about George's dignity. Sewell had a great nickname, "Steelhead." It implied that nothing could penetrate Sewell's head, not a tool shop knife made from a toothbrush, not a V bar loosened from the bottom of a bunk, not a thought or idea. Steelhead was a risky nickname. It gave a target and defied the other cons to go after it.

But Pitty-Pitty, what the hell sense did that make? George, whose real name was Gregor Eupatniaks, was sure that Steelhead Sewell, who was serving two life sentences for murdering a pair of runaway girls in Moline, hadn't thought about the nickname he bestowed on the skinny kid who had just done the first month of time for his first felony, breaking and entering.

But the name stuck. George couldn't shake it. It followed him to Chicago's Near North Side neighborhood where he had spent his life, except for the two years he had done for breaking and entering and the two more years he had done for breaking and entering again and the year he had done for possession of a weapon, a dinky piece, a .22 he carried in his tool belt under his jacket. It was really the burglary tools in the belt that they had gotten him for, not the Friday night nothing-special, but they couldn't nail him on the tools so they got him for the gun.

Even the police called him Pitty-Pitty. A grown man, now pushing forty-six, with almost six years of down time on three felonies. That was one of the worst things about being picked up, cops yelling his nickname across a squad room.

George considered himself one of the most successful burglars in Cook County. He wasn't sure how many houses, businesses, and apartments he had plucked-two hundred? Maybe three hundred? Maybe more? You'd think he'd keep count, but he didn't, like a movie star on Jay Leno who can't remember how many movies he's been in.

George hadn't worked an honest day in his life since his sixteenth birthday, but the dishonest ones had added up over the years. He practiced his profession once every three or four weeks for a few hours-not counting set-up time-and devoted the rest of his time to eating, sleeping, hanging out with his brother when he was around, and trying, sometimes successfully, to pick up women or girls at Unikle's Tap or the Blue Truck Bar. But what he liked to do most was something that he had picked up in prison. George's passion was painting. He had always liked to draw, but in prison an artist from Chicago named Joplin-guy in denims, hair hanging over his eyes, mess of a beard-had conducted a six-week class in painting. George had taken to it. He was a natural. He could paint what was in his head from the moment he picked up the brush.

Most people thought Steelhead Sewell had given him the name Pitty-Pitty because it was what Steelhead thought it sounded like when George was painting. Trouble was, George was sure Steelhead Sewell did not know he was taking the class or painting.

Joplin the painter had told George that he had talent. Years later, when George was exhibiting in an art fair in Lincoln Park, he ran into Joplin, who was showing his own stuff. They talked. Joplin said he had been out of town a few years. His hands shook. Rummy. Joplin's paintings were for shit. Who had he been to tell George Patniks that he was a good painter? George had a better grasp on reality than that.

George looked at his own paintings-cons leaning lonelily against concrete block walls, smoking and looking at nothing, buildings that looked so tired they might tumble over with a pat on the back from a good wind off Lake Michigan, kids playing in the park on the merry-go-round but not looking like they were having fun. George knew he had the eye. But he didn't have the magic. Wasn't there. No avoiding the t

Weiterlesen weniger lesen

Kundenbewertungen